Before studying at the Film and TV School of Academy of Performing Arts in Prague, I worked for 2 years in the Czech TV as a production assistant, participating in the production of documents and educational movies.
During my studies at the Academy, I already became head of production of various film debuts of my classmates, or even teachers: Z. Tyc’s Vojtěch, řečený sirotek (Vojtěch, Called Orphan), J.Brabec’s Krvavý román (Horror Story) or O.Trojan’s Pějme píseň dohola (Let’s All Sing Around, as the assistant director). Having finished my studies, during which I cooperated with directors such as D.Ondříček or D.Sýs, I returned to actors films. After a year spent at P. Moravec’s ETIC (Underground by E. Kusturica, Years of the Wall by Margaret von Trotta) and a maternity leave, I switched to Czech production. After a brief cooperation with the Czech TV, commercials and documents (e.g. on Bohumil Hrabal, directed by P.Třazska), I started cooperating with private producers and directors, such as V. Marhoul at Silverscreen as the assistant director of
jako pomocná režisérka na filmu Mazaný Filip (Smart Philip) and T.Vorel, at Vorelfilm, as a head of production of Skřítek (The Elf), Gympl (The Can), Ulovit miliardáře (Catch the Billionaire) and Cesta do lesa (Road to the Woods). In 2005, Michal Reitler invited me to TV Nova to cooperate on the series Ulice (The Street); I was the head of production for 11 years, and during that time, I also made feature films for M.Šmídmajer’s Bio Ilusion as head of production (J.Mádl’s debut Pojedeme k moři (A Trip to the Seaside), D.Klein’s Básníci 7 (Poets 7) or M.Šmídmajer’s Celebrity s.r.o. (Celebrities Ltd.) After leaving the series Ulice in 2015, I started working for the companies of P.Erben, whom I met during the filming of Ulice (as its producer and founder). Here, I continue as executive producer of the series Jetelín and Černé vdovy (Black Widows) for FTV Prima (GoodTv) Poldové a nemluvně (Cops and a Baby) for the Czech TV (Logline).